It seems even with old-fashioned fine jewellery techniques, innovation is still possible.
With their new Merveilles collection, Swiss jeweller Boghossian has unveiled an entirely new diamond setting technique they call merveilles setting. Within this setting, the surrounding stones play as much a part in holding the diamonds in position as the metal itself.
See for yourself:
Not too long ago, the 3D Printing Industry Blog released their own list of best choices for commercial 3D printing services where you can release your 3D jewellery CAD models for others to purchase and 3D print.
Right now, it does seem like we are seeing a bit of an uncertain time for the jewellery industry. Every retailer is shifting their attention increasingly online, and while nearly all of the major jewellery manufacturers have embraced CAD, how they’re choosing use technology in their interactions with customers is still very much undecided. Within this uncertainty rests how CAD and 3D printing to order will sit within either fashion or fine jewellery.
At the moment, 3D printing marketplaces have become a kind of digital equivalent of the craft market, with free-wheeling designers using the established platforms as a way of getting attention and money for their talents. Like the old fashioned equivalent, these online marketplaces seem to be helpful for newcomers to get more of a feel for their target audiences.
As TCT Magazine recently reported, recent Birmingham School of Jewellery graduate Rebecca Wilkes has been experimenting with full colour nylon SLS printing for producing 3D printed jewellery. With the help of the nylon 3D printers at Digits2Widgets, she has been garnering attention at trade shows for her collection of wearable objects with interchangeable components.
I have to say, it’s nice to see a new generation of students taking chances in seeing how far they can push 3D printed materials as an end product. While the materials aren’t perfect, this work proves that if you can find the right product, 3D printing itself is a viable manufacturing medium for products.
Every once in a while you see a piece of wearable technology which seems to border on “too good to be true” territory. Waverly Labs’ Pilot smart earpiece definitely falls into that category.
While the idea of making a piece of technology which serves as a fast interpreter is hardly new, the idea of making one this portable and able to work from audio does seem to be something pulled out of science fiction. It is nothing less than the real-world creation of the Babel Fish from Hitchhikers Guide to the Galaxy. Even Star Trek featured larger handheld devices which offered comparable functionality.
As we speak, the Pilot is currently gathering investment on Indiegogo right now. Check it out there or on Waverly Labs’ own website.
According to a recent article from 3D Printing Industry, Lockheed Martin has just filed a patent for a synthetic diamond 3D printer. And predictably, social media’s imagination has run wild…
One precious moo… Imagine creating anything you want as a 3D printed synthetic diamond.
In all seriousness, though, this has some potentially very interesting applications for both industry as well as jewellery design.
See the full article here:
The MIT Media Lab has recently developed metallic temporary tattoos which can communicate with other electronic devices such as sending signals to your mobile phone.
They call it DuoSkin. It already has some technology experts quite excited at the possibilities of using your own skin as a track pad for mobile applications or a remote sensor (for unlocking doors).
In one of my previous articles on prosthetic limbs and their potential for creative expression, I mentioned the James Dyson Award-winning affordable prosthetic hand design of Open Bionics.
Since then, Open Bionics has done something amazing — they have established a collaboration with Konami (makers of Metal Gear Solid) to develop creative prosthetic limb design. They call it the Phantom Limb Project.
This partnership echoes Ove Arup’s famous vision of designers and engineers working closely together in all endeavours, and is a perfect example of what I am confident we will see as commonplace in the future of prosthetic limb design.