Something Beautiful in Fashion Jewellery – ELIXIR by Kali Ratcliffe

For this month’s Something Beautiful in Jewellery, I present a jeweller and fashion accessory designer Kali Ratcliffe, and her new brand ELIXIR.

Embossed leather hat, made with Rhino and a CNC milled mould

Kali is a graduate of the Royal College of Art who has studied under several jewellery and silversmithing masters before collaborating with a few London-based fashion labels. What makes her work so interesting is the diversity of approaches she’s willing to take to make the piece she wants, combining resourceful application of Rhino and Zbrush with laser engraving and control over metal and leather to make quite diverse (yet cohesive) forms.

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Something Beautiful in Jewellery – John Robertson and Vertices Edge

It’s not easy to find an example of generative jewellery design which has successfully cracked the fashion market. But for this month’s edition of Something Beautiful in Jewellery, we found one. Today, I bring you the work of one John Robertson and his company VerticesEdge.

The Curvaceous collection from VerticesEdge

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Something Beautiful in Jewellery – Primal Crafts 3D Printed Nordic Tribal Jewellery

For this month’s Something Beautiful in Jewellery, I present the bold and elegant work of Primal Crafts.

Primal Crafts is the creation of Danish designer and one-man-show Kristoffer Rønn-Andersen from Copenhagen. With a taste for Nordic tribal tattoos and ancient weaponry, and a flair for Scandinavian modernist design, he has been producing some quite remarkable sculptural forms as 3D printed jewellery through Kristoffer’s store on i.materialise.

More after the break.

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Something Beautiful in Body Adornment: Lisa Farrall’s Armour Hairstyle Collection

My instalment of Something Beautiful in Jewellery comes from a wonderfully unexpected direction– the world of creative hairdressing!

Multi-award winning hairstylist Lisa Farrall has recently released a series of incredible images for the British Hair Awards from her new Armour Collection. The entire series is her fashion-forward tributes to African culture. Each image is more incredible than the last.

If there ever was a series of body adornment images to inspire you to work harder on both your design development as well as your presentation, this is it!

A photo posted by Lisa Farrall (@lisafarrall) on


More after the break:

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Something Beautiful in Jewellery – Celtic3d

For the latest edition of Something Beautiful in Jewellery, I would like to present something different– a 3D CAD keychain designer.

Working out of Aberdeen, Scotland, Gavin Bain of Celtic3D draws upon rich historical research into medieval Scottish symbols for the creation of impressive relief designs for his keychains. His work is produced on demand and sold through Shapeways‘ own 3D model community in his Celtic3D online shop.

At the present time, every 3D printer on the market has issues and limitations with the surface quality they can create with 3D printed materials. To get around that can often involve polishing and removing a significant amount of detail. Waht make’s Gavin’s work remarkable is that he has found a way to make use of these limitations of 3D printing surface quality as a feature in and of itself on the design. It adds a look of aged or primitive authenticity to an object created with new technology. Very resourceful!

Kelpies Pendant by Celtic3D

Kelpies Pendant by Celtic3D

(More images after the break)

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Something Beautiful in Jewellery – Jo Hayes Ward and Bathsheba Grossman

For the latest instalment of Something Beautiful in Jewellery, I’m presenting two pioneers of 3D printed contemporary art jewellery design.

Most people in jewellery now seem to accept CAD/CAM as a fact of life, especially with all the new design possibilities it provides. But even 10 years ago this was not the case. Back then, while there were a few mass production jewellers quietly working to incorporate CAD/CAM into high street jewellery making (myself included), but most creative designer makers considered CAD a dirty word.

There were only a handful of intrepid designer-makers who not only insisted on using CAD and 3D printing for their jewellery and objets d’arts, but embraced the early forms of the technology for all its production quirks. I’m showcasing two such designer-makers today, one British (Jo Hayes-Ward) and one American (Bathsheba Grossman).

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Ring by Jo Hayes-Ward

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Pendant by Bathsheba Grossman

 

 

 

 

 

 

 

 

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