More after the break.
Kali is a graduate of the Royal College of Art who has studied under several jewellery and silversmithing masters before collaborating with a few London-based fashion labels. What makes her work so interesting is the diversity of approaches she’s willing to take to make the piece she wants, combining resourceful application of Rhino and Zbrush with laser engraving and control over metal and leather to make quite diverse (yet cohesive) forms.
More examples of her work after the break. Continue reading
Primal Crafts is the creation of Danish designer and one-man-show Kristoffer Rønn-Andersen from Copenhagen. With a taste for Nordic tribal tattoos and ancient weaponry, and a flair for Scandinavian modernist design, he has been producing some quite remarkable sculptural forms as 3D printed jewellery through Kristoffer’s store on i.materialise.
More after the break.
My instalment of Something Beautiful in Jewellery comes from a wonderfully unexpected direction– the world of creative hairdressing!
Multi-award winning hairstylist Lisa Farrall has recently released a series of incredible images for the British Hair Awards from her new Armour Collection. The entire series is her fashion-forward tributes to African culture. Each image is more incredible than the last.
If there ever was a series of body adornment images to inspire you to work harder on both your design development as well as your presentation, this is it!
More after the break:
For the latest edition of Something Beautiful in Jewellery, I would like to present something different– a 3D CAD keychain designer.
Working out of Aberdeen, Scotland, Gavin Bain of Celtic3D draws upon rich historical research into medieval Scottish symbols for the creation of impressive relief designs for his keychains. His work is produced on demand and sold through Shapeways‘ own 3D model community in his Celtic3D online shop.
At the present time, every 3D printer on the market has issues and limitations with the surface quality they can create with 3D printed materials. To get around that can often involve polishing and removing a significant amount of detail. Waht make’s Gavin’s work remarkable is that he has found a way to make use of these limitations of 3D printing surface quality as a feature in and of itself on the design. It adds a look of aged or primitive authenticity to an object created with new technology. Very resourceful!
(More images after the break)