It’s not easy to find an example of generative jewellery design which has successfully cracked the fashion market. But for this month’s edition of Something Beautiful in Jewellery, we found one. Today, I bring you the work of one John Robertson and his company VerticesEdge.
<UPDATE – The original article has been updated to include some more accessible schemes and programmes not previously mentioned.>
BBC Business News recently aired a segment on How Crafts Workers are Learning to Sell their Work. In the segment, both the mentors and the craftsmen highlighted the importance of learning business skills. The mentors also pointed out the balancing act required to stay a luxury manufacturer without devoting all your time on building the brand. While the examples provided were silversmithing and leatherwork, this is every bit as true for a new jewellery business.
Walpole’s Brands of Tomorrow mentoring scheme mentioned in the video is an interesting one for ambitious luxury craft designers, but highly competitive (as you can see from the description on their own site). Since not everyone is aiming for the top end luxury market, I think it’s worth sharing some of the other UK business training schemes and support out there for craftsmen and budding jewellery businesses.
Primal Crafts is the creation of Danish designer and one-man-show Kristoffer Rønn-Andersen from Copenhagen. With a taste for Nordic tribal tattoos and ancient weaponry, and a flair for Scandinavian modernist design, he has been producing some quite remarkable sculptural forms as 3D printed jewellery through Kristoffer’s store on i.materialise.
More after the break.
It seems even with old-fashioned fine jewellery techniques, innovation is still possible.
With their new Merveilles collection, Swiss jeweller Boghossian has unveiled an entirely new diamond setting technique they call merveilles setting. Within this setting, the surrounding stones play as much a part in holding the diamonds in position as the metal itself.
See for yourself:
<Update- The publishers got in contact with me after writing this review, and helped me with some corrections to some of the publishing information and dates. The article has been amended accordingly.>
A few weeks ago, I discovered a book called Designing Jewelry with Rhino by Eliania Rosetti being out of Brazil. Since it’s become clear that more CAD jewellers need to know about this book, I’ve written a brief review here.
My instalment of Something Beautiful in Jewellery comes from a wonderfully unexpected direction– the world of creative hairdressing!
Multi-award winning hairstylist Lisa Farrall has recently released a series of incredible images for the British Hair Awards from her new Armour Collection. The entire series is her fashion-forward tributes to African culture. Each image is more incredible than the last.
If there ever was a series of body adornment images to inspire you to work harder on both your design development as well as your presentation, this is it!
More after the break:
Over at the i.materialise blog, they have recently released a wonderful interview with Jonathan Williamson, professional 3D CGI modeller and tutor from CG Cookie, a training site for 3D modelling for the gaming industry.
I agree with all of his points. While his advice is more focused on CGI modelling for video and games (as shown in his choices of software, none of which I would ever recommend for Jewellery CAD or 3D printing), he does mention product design and toy design, and his advice resonates with any specialism of 3D modelling, including jewellery design. But most importantly, what he says about the world badly needing more 3D content creators echoes what I’ve previously said in my lectures and on this blog, and it is good to hear others pushing for this.
Have a look: