My instalment of Something Beautiful in Jewellery comes from a wonderfully unexpected direction– the world of creative hairdressing!
Multi-award winning hairstylist Lisa Farrall has recently released a series of incredible images for the British Hair Awards from her new Armour Collection. The entire series is her fashion-forward tributes to African culture. Each image is more incredible than the last.
If there ever was a series of body adornment images to inspire you to work harder on both your design development as well as your presentation, this is it!
More after the break:
A 3D Character Model sculpted in Blender by John Williamson
Over at the i.materialise blog, they have recently released a wonderful interview with Jonathan Williamson, professional 3D CGI modeller and tutor from CG Cookie, a training site for 3D modelling for the gaming industry.
I agree with all of his points. While his advice is more focused on CGI modelling for video and games (as shown in his choices of software, none of which I would ever recommend for Jewellery CAD or 3D printing), he does mention product design and toy design, and his advice resonates with any specialism of 3D modelling, including jewellery design. But most importantly, what he says about the world badly needing more 3D content creators echoes what I’ve previously said in my lectures and on this blog, and it is good to hear others pushing for this.
Have a look:
Here’s to 6 years, and to all the wonderful people who have followed this blog over the years.
As a thank you to you all, I designed this brooch based on the classic 1950’s ornaments and festive jewellery of DODDS.
Not too long ago, the 3D Printing Industry Blog released their own list of best choices for commercial 3D printing services where you can release your 3D jewellery CAD models for others to purchase and 3D print.
Right now, it does seem like we are seeing a bit of an uncertain time for the jewellery industry. Every retailer is shifting their attention increasingly online, and while nearly all of the major jewellery manufacturers have embraced CAD, how they’re choosing use technology in their interactions with customers is still very much undecided. Within this uncertainty rests how CAD and 3D printing to order will sit within either fashion or fine jewellery.
At the moment, 3D printing marketplaces have become a kind of digital equivalent of the craft market, with free-wheeling designers using the established platforms as a way of getting attention and money for their talents. Like the old fashioned equivalent, these online marketplaces seem to be helpful for newcomers to get more of a feel for their target audiences.
Recently i.materialise‘s increasingly well-written blog publised a good article on ways to help 3D printing content creators to make their work more profitable through online distribution. While the article is primarily directed at i.materialise users, most of the tips are relevant to other 3D modelling marketplaces, such as Shapeways or Thingiverse. With this in mind, it’s definitely worth a read for those students and individuals who are trying to find new ways to monetise their CAD modelling work.
For anyone who has been following activity on these sites, it is becoming increasingly clear that there is definitely a strong market out their for bespoke produced items via 3D printing. I will be curious to see how this market evolves. Will it become a race to the bottom for worker’s wages, or will it lead to an entirely new ecosystem of tiers of skilled designers?
As TCT Magazine recently reported, recent Birmingham School of Jewellery graduate Rebecca Wilkes has been experimenting with full colour nylon SLS printing for producing 3D printed jewellery. With the help of the nylon 3D printers at Digits2Widgets, she has been garnering attention at trade shows for her collection of wearable objects with interchangeable components.
I have to say, it’s nice to see a new generation of students taking chances in seeing how far they can push 3D printed materials as an end product. While the materials aren’t perfect, this work proves that if you can find the right product, 3D printing itself is a viable manufacturing medium for products.
Every once in a while you see a piece of wearable technology which seems to border on “too good to be true” territory. Waverly Labs’ Pilot smart earpiece definitely falls into that category.
While the idea of making a piece of technology which serves as a fast interpreter is hardly new, the idea of making one this portable and able to work from audio does seem to be something pulled out of science fiction. It is nothing less than the real-world creation of the Babel Fish from Hitchhikers Guide to the Galaxy. Even Star Trek featured larger handheld devices which offered comparable functionality.
As we speak, the Pilot is currently gathering investment on Indiegogo right now. Check it out there or on Waverly Labs’ own website.