Upcoming Intermediate Matrix CAD Intensive Short Course at the British Academy of Jewellery

Intermediate Matrix CAD Intensive Short Course (formerly Level 4 CAD Award)

Made during the Intermediate Matrix CAD Intensive Short course (formerly known as Level 4 CAD Award) by Zoe Harding

We’re just now finalising an new selection of CAD and Design short courses at the BAJ for this summer. But the first of the set I’m happy to announce now.

From 4 June to 31 July on Mondays and Tuesdays, we will be running a 14 day Intermediate Gemvision Matrix CAD Intensive short course (previously called the level 4 CAD Award).

Visit the British Academy of Jewellery website for more details on this and the other upcoming courses!

Upcoming Jewellery CAD Short Courses at the British Academy of Jewellery

We have an exciting summer season of jewellery CAD short courses planned at the British Academy of Jewellery in London starting 12 June. If you’ve been reading about the CAD training here but have been curious about taking one of the CAD courses I’ve developed, now is your chance.

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Shapeways Article – Three Ways Handmade Jewellers Can Use 3D Printing

Shapeways has published a simple but useful article outlining three common ways in which a traditional hand making jeweller could take advantage of 3D printing.

Shapeways Article – Three Ways Handmade Jewellers Can Use 3D Printing

3D printing is valuable for testing products both physically (for fit) as well as virtually (for market response). Image is courtesy a wonderful old Vogue article on How 3D Printing will change fashion.

3D printing is valuable for testing products both physically (for fit) as well as virtually (for market response).  Image is courtesy a wonderful old Vogue article on how 3D Printing will change fashion, entitled “New Dimensions – How 3D Printers are Changing Fashion”

They’ve covered most of the good points of using CAD/CAM for jewellery in plain language– the idea of building a virtual collection, the idea of not working at the bench, and the idea of testing models for fit. I would also add the advantage of sending files via email to manufacturers and factories rather than posting master models or moulds as well to their list, and letting them prototype the pieces on their end.

Of course, this does make the bold assumption that said jeweller can actually use jewellery CAD to produce their models.

Gem Prive Sponsors a Competition for Holts Academy

Recently Gem Prive agreed to host a design competition for one of my CAD courses at Holts Academy. They were given four weeks to research and design a gold bracelet for a client based upon some existing coloured stones from the client’s own vault.

See the full story (and all the student’s finished designs) here:

Gem Prive – Student Design Contest With Holts Academy

Gem Prive and Holts Academy Design Contest – Gold Bracelet design by David Baer

Video Tutorial – Matrix to Rhino Jewellery CAD Techniques Part 2 – Gem Cutter, Gem On Surface, and Prongs

And now for the second of my two jewellery CAD video tutorials focusing on how to use Matrix CAD techniques in Rhino. This one covers the Gem Cutter, Gem on Surface, and Prong tools.

 

As with the previous tutorial, those who might be concerned about whether this would make Matrix unnecessary shouldn’t be– when you watch the video it quickly becomes clear that these techniques won’t approach the efficiency of Matrix. However, it’s nice to know that if you’ve taken a Matrix class you won’t be stuck if you have to downgrade to Rhino.

Video Tutorial – Matrix to Rhino Jewellery CAD Techniques Part 1 – Ring Rail, Profile Placer, Gem Loader and Bezel Builder

You asked for it, so here it is:

I present the first of my two jewellery CAD video tutorials focusing on how to use Matrix CAD techniques in Rhino. This one covers the Ring Rail, Profile Placer, Gem Loader, and Bezel Builder.

 

 

To those who are concerned about whether this would make Matrix unnecessary– when you watch the video it quickly becomes clear that these techniques won’t approach the efficiency of Matrix. However, it’s nice to know that if you’ve taken a Matrix class you won’t be stuck if you have to downgrade to Rhino.

Generative Jewellery Design – Using Rhino, Grasshopper and Generative Algorithms to Experiment with Jewellery Forms

Lionela-by-kirakosyan_liana

I recently stumbled upon a community dedicated to the use of generative algorithms in 3D modelling for jewellery. In English, that is to say they experiment with the Grasshopper plug-in and Rhino to make entirely new tools which create and control exotic geometry on a design’s surface, allowing for much greater speed with working on complicated and repeating forms.

See for yourself: (video after the break)

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